Right now I'm doing a rewrite of a piece called "Simon," it's original working title was "Story of a Dead Man," and for a short while lived with the title "Memory files."
And in one of the scenes I was working on recently I was not satisfied with the dialogue. The second main character, Mindy, was profusely apologizing for her actions and when I compared that to an earlier scene where her character came through strongly I knew there was something wrong. She was coming across as weak and helpless which she is not. I pondered why and how I could strengthen the piece and suddenly realized that she was not sorry at all... she was pissed off. Wow, what an awakening!
And now, just as I thought I was on a roll and this would be the last draft, I have to change the whole scene and, in retrospect need to look at some of the past scenes and figure out if I got her mood right in them or if they too need to be changed.
However, I'm not too upset about it as it's moments like these where the character wakes up that provide the joy in my story composition.
And in one of the scenes I was working on recently I was not satisfied with the dialogue. The second main character, Mindy, was profusely apologizing for her actions and when I compared that to an earlier scene where her character came through strongly I knew there was something wrong. She was coming across as weak and helpless which she is not. I pondered why and how I could strengthen the piece and suddenly realized that she was not sorry at all... she was pissed off. Wow, what an awakening!
And now, just as I thought I was on a roll and this would be the last draft, I have to change the whole scene and, in retrospect need to look at some of the past scenes and figure out if I got her mood right in them or if they too need to be changed.
However, I'm not too upset about it as it's moments like these where the character wakes up that provide the joy in my story composition.